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    <lastmod>2026-03-24</lastmod>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work - HARDEST HIT FUND PSA "Cancer"</image:title>
      <image:caption>90 second PSA for THE HARDEST HIT FUND [which is REALLY a cool program!]. I DP'd this series of PSA's, Zo Wesson directed, Road Pictures produced. So on Epic Dragon, Cooke glass...nice desaturated finish...nothing flashy, all about the somber emotion of this little frame.    </image:caption>
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      <image:title>Work</image:title>
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      <image:title>Work - SLO-MO References.mov</image:title>
      <image:caption>Here are a +half dozen slow-motion shots I have created to illustrate the speeds of shooting various high-speed subjects and their effect once played back at standard 24fps. This is a great way to pre-viz slo-mo movement before you shoot and give you an idea of which camera to use.</image:caption>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work - NATIVE Jarritos Social ad</image:title>
      <image:caption>NATIVE Jarritos Social spot I shot, Nicholas Schmalz directed…this was one of a series of spots we shot for NATIVE..fun table top stuff!</image:caption>
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    <image:image>
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      <image:title>Work - BUDWEISER "Heat Wave" tv spot</image:title>
      <image:caption>Creative tv spot with an inventive guy rigging a slide that allows his BudLights to pop out of his fridge and slide into his waiting hand..as he basks in a pool with his lady. Believe it or not, this rig actually works! Shot during an actual heatwave in a small stage. We used the Kenworthy Snorkle system to allow the lens to chase the Bud bottle as it traveled down the rig and slide. A vintage fridge was cut up so we could rig lights to back-light the bottles in the freezer. I DP'd, Jeff Kauck directed, Richard Walker produced. Shot on 35mm with an Arri 35-3. Please forgive the rough compression. As a DP, I am often given poor copies of my, this, case in point, was from a DVD, which imported, converted, compressed, etc.. gave it this mushy look.    </image:caption>
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      <image:title>Work</image:title>
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      <image:title>Work - POLITICAL SPOT: SHERIFF</image:title>
      <image:caption>Political spot I shot for SRCP MEDIA</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1763496840073-E2CR1AFC4M861LOAMYJ5/P%26G+collage+MASTER.png</image:loc>
      <image:title>Work - PROCTER &amp; GAMBLE frame grabs from national spots I shot</image:title>
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    <image:image>
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      <image:title>Work - Photos of the Mitchell at work as well as the Moviola Crab Dolly!!</image:title>
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      <image:title>Work - LOTTERY "Mission: HEIST" tv spot</image:title>
      <image:caption>I was the DP on this campaign, shooting with 2 of my RED ONE cameras and Cooke glass. Fun spot, shot all in 1 day on location, all stunts done IN CAMERA! The laser-beams surrounding the glass case were inserted in post. Zach Resnicoff was the Director, Debra Price of The PPS Group was the producer.</image:caption>
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      <image:title>Work - Time Lapse</image:title>
      <image:caption>This is a sample of some of my time-lapse work I shot using my portable mo-co pan &amp; tilt head. After we wrapped on the Euro Marlboro shoot in Moab, Utah, I stayed for an extra week, rented a jeep and shot some of this footage. Due to the intense July heat &amp; sun, I had to cover my trusty Arri 35-3 [with Norris Intervalometer] with aluminum foil to keep the film from frying in the sun..the Arriflex cameras being painted black. The mountains and fields were shot in Bozeman, MT. The city footage at the end is from one of a series of TV News promos I shot..sometimes with the camera mounted on top of the news truck, other times mounted on the hood.</image:caption>
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  <url>
    <loc>https://www.barklage.com/blog</loc>
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    <lastmod>2015-01-30</lastmod>
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    <lastmod>2021-12-18</lastmod>
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    <loc>https://www.barklage.com/blog-1/2021/12/18/the-killers-35mm-film-noir</loc>
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    <lastmod>2025-04-04</lastmod>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/55f332a5-915b-4818-ba97-af9277f6c258/1.jpg</image:loc>
      <image:title>Blog - "THE KILLERS" 35mm Film Noir - Make it stand out</image:title>
      <image:caption>Director Alex Chikov rehearses the cast, who have removed their heavy overcoats &amp; hats due to the location’s heat. Gaffer Russ Faust, in background, lights the set.</image:caption>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir - Make it stand out</image:title>
      <image:caption>Michael Wooten preps the slate as 1st AC Amy Faust and camera operator Alex Esber wait, note the array of lights in the ceiling and upper shelf of the location.</image:caption>
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    <image:image>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir - Checking the gate. Amy peers into the camera as Alex spins the shutter to the open position</image:title>
      <image:caption>Amy Faust checks the gate, Alex Esber spins the shutter to the open position</image:caption>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir - Gaffer Russ Faust</image:title>
      <image:caption>Gaffer Russ Faust watches the Moviecam Compact on the Lenny Arm</image:caption>
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    <image:image>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir - Make it stand out</image:title>
      <image:caption>Dolly Grip Kevin “K-Mart” Martt discusses today’s special with the Mobsters.</image:caption>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir - Make it stand out</image:title>
      <image:caption>Mandatory wrap photo</image:caption>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir</image:title>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir</image:title>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir</image:title>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir</image:title>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir</image:title>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir</image:title>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir</image:title>
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      <image:title>Blog - "THE KILLERS" 35mm Film Noir</image:title>
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    <loc>https://www.barklage.com/blog-1/2020/11/17/aaa-holiday-stop-motion-tv-spot</loc>
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    <lastmod>2020-11-17</lastmod>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot</image:title>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot - Bart’s storyboards</image:title>
      <image:caption>with my scribbled notes…</image:caption>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot - Our basic setup with the house lights on…</image:title>
      <image:caption>Note the elevated set,,,</image:caption>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot</image:title>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot</image:title>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot</image:title>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot</image:title>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot</image:title>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot</image:title>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot</image:title>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot</image:title>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot</image:title>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot</image:title>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot</image:title>
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      <image:title>Blog - AAA Holiday Stop-Motion TV spot - wrap shot!</image:title>
      <image:caption>Bart Browne, Don Lee and me!</image:caption>
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  <url>
    <loc>https://www.barklage.com/blog-1/2020/7/22/notzilla-feature-filmand-its-special-effects</loc>
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    <lastmod>2024-06-06</lastmod>
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      <image:title>Blog - "NOTZILLA" feature film..and its Special Effects!! - Miniature FX !</image:title>
      <image:caption>NOTZILLA special effects!</image:caption>
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      <image:title>Blog - "NOTZILLA" feature film..and its Special Effects!!</image:title>
      <image:caption>Man-in-rubber-suit, rear projected background of city, miniature foreground buildings and CG flames.</image:caption>
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      <image:title>Blog - "NOTZILLA" feature film..and its Special Effects!!</image:title>
      <image:caption>Lomo anamorphic zoom lens on a Red Epic Dragon.</image:caption>
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      <image:title>Blog - "NOTZILLA" feature film..and its Special Effects!!</image:title>
      <image:caption>Front anamorphic element of the Lomo 37-140mm zoom, note the lens support rig I had to cobble together below?</image:caption>
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      <image:title>Blog - "NOTZILLA" feature film..and its Special Effects!!</image:title>
      <image:caption>Rear Projection screen with city projection, monster in foreground..simple yet effective</image:caption>
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      <image:title>Blog - "NOTZILLA" feature film..and its Special Effects!!</image:title>
      <image:caption>Director Mitch Teemley rehearses actors on the rise [and added appleboxes] in front of rear projection screen, note the gobo on left, and the extra flags needed to keep stray light off the screen, these actors were literally inches from the screen for most of the time..</image:caption>
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      <image:caption>Control room that Gabby and crew designed and built!</image:caption>
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      <image:title>Blog - "NOTZILLA" feature film..and its Special Effects!!</image:title>
      <image:caption>We had several shooting areas placed side-by-side inside the huge empty store, from this angle you can see the greenscreen on left and the “stomping grounds” on right..as well as the “crapazoid” sky backdrop!!</image:caption>
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      <image:title>Blog - "NOTZILLA" feature film..and its Special Effects!!</image:title>
      <image:caption>The smallest set was a 4’ long tabletop with moss and model train trees, cut/painted foamcore hills and sky backdrop..with RC controlled model tanks!</image:caption>
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      <image:caption>Model kit truck with consumer grade fireworks that I “repackaged” in Army colors and decals!</image:caption>
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      <image:caption>Lighting the fuses on bottle rockets that were inserted into these plastic missile shells!</image:caption>
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      <image:title>Blog - "NOTZILLA" feature film..and its Special Effects!!</image:title>
      <image:caption>Like all consumer grade fireworks, they do not always do what they are suppose to..this one did not launch, instead it exploded on set!</image:caption>
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      <image:caption>It was spectacular!!</image:caption>
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      <image:title>Blog - "NOTZILLA" feature film..and its Special Effects!!</image:title>
      <image:caption>We saved a LOT of time and energy by shooting on stage with rear-projection backgrounds…I would go out during pre-pro and shoot high rez still photos of various locations and we fed these into our laptop that ran the large video projector..INSTANT location! This also kept that vintage look of the 60’s as they did this a lot back then.</image:caption>
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      <image:caption>Here is another location that we simply projected as opposed to travel to..my background plate photos required some PhotoShop as the actual brewery location had signage and banners which we removed electronically.</image:caption>
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      <image:caption>Another city shot of rubber suit, rear projected city and Jim Bailey’s CG flames.</image:caption>
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      <image:caption>Here is the completed effect, all done in-camera!</image:caption>
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      <image:caption>BTS shot of Tifani having her hair repaired after a take with a strong wind machine by HMU artist Anne Taylor. As you can see, the “thumb” is a cardboard tube that I coated with expandable insulation foam and then spray painted ..its rigged on a short stand and the projection is seen behind them. With the laptop, we could instantly resize our projected images as well as do color correction on the fly!</image:caption>
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      <image:title>Blog - "NOTZILLA" feature film..and its Special Effects!!</image:title>
      <image:caption>I snapped this shot from the viewfinder, note the 1.2:35 aspect ratio lines, I had to shoot at a 144 degree shutter due to some slight pulsation from the projector.</image:caption>
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      <image:caption>Another view of our “stage”</image:caption>
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      <image:caption>Rubber eggs that Gabby made, floating in my Koi pond…hey Gabby, I just found these in my garage..you want them back?? all photos (c) 2020 Creepy Ex-Boyfriend Productions</image:caption>
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      <image:caption>table top</image:caption>
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      <image:title>Blog - Forensic Cinematography on Star Trek's "MIND SIFTER" episode</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1505164494845-H0HCUBC3OFMEOZRKKO1F/IAWTV.jpg</image:loc>
      <image:title>Blog - Forensic Cinematography on Star Trek's "MIND SIFTER" episode</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1505164124547-4IPZEWXG8ZDGSUBP7W33/IMG_4520.JPG</image:loc>
      <image:title>Blog - Forensic Cinematography on Star Trek's "MIND SIFTER" episode</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1505164163761-PYFNI3K6OO1LS5KBI5MQ/IMG_4391.JPG</image:loc>
      <image:title>Blog - Forensic Cinematography on Star Trek's "MIND SIFTER" episode</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1505163076069-D1DC0JYDPREEQ79NM4A6/IMG_4397.JPG</image:loc>
      <image:title>Blog - Forensic Cinematography on Star Trek's "MIND SIFTER" episode</image:title>
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    <image:image>
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      <image:title>Blog - Forensic Cinematography on Star Trek's "MIND SIFTER" episode</image:title>
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    <image:image>
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      <image:title>Blog - Forensic Cinematography on Star Trek's "MIND SIFTER" episode</image:title>
      <image:caption>STRADLING WHEEL cookie</image:caption>
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    <image:image>
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      <image:title>Blog - Forensic Cinematography on Star Trek's "MIND SIFTER" episode</image:title>
      <image:caption>The STRADLING WHEEL in action [this is a smaller onto be used with smaller fresnel lamps. Still photographs courtesy of Garth Gullekson [unit stills photographer]</image:caption>
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      <image:title>Blog - Forensic Cinematography on Star Trek's "MIND SIFTER" episode</image:title>
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    <image:image>
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      <image:title>Blog - Forensic Cinematography on Star Trek's "MIND SIFTER" episode</image:title>
      <image:caption>Frame Grabs from the Red Epic Dragon footage.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2026-02-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1756409139687-OCTTQDG7OT731VB3YLWH/FOOD+COLLAGE+2.png</image:loc>
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  <url>
    <loc>https://www.barklage.com/read-me</loc>
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      <image:title>My Gear</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1736279341321-D0A0MT7X2QS1YF8RVP20/IMG_1559.JPG</image:loc>
      <image:title>My Gear</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1736279354712-GI2XY5UBHOFAR6X2YSE4/IMG_1837.JPG</image:loc>
      <image:title>My Gear</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1736279360075-QAMGZIPSJNJ44J8DMGAJ/IMG_0674.JPG</image:loc>
      <image:title>My Gear</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1736279367443-5WPL3JAXBYQAR8I7RDNJ/IMG_6398.jpg</image:loc>
      <image:title>My Gear</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1736279373729-TUP4RIE0AA5QW23CK1QL/IMG_0437.jpg</image:loc>
      <image:title>My Gear</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1736279378834-4HEB52G9JKWBDS0BYS2U/IMG_0128.JPG</image:loc>
      <image:title>My Gear</image:title>
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      <image:title>My Gear</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1609654715595-RQFXUKRMMB400QNPVN3U/cookes.jpg</image:loc>
      <image:title>My Gear</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/4b629924-87f6-4d82-b9d1-e3ee1fe66154/Cooke-18-100mm_C.png</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/f7959552-2de7-4c7a-b6d8-04f2d6eee06d/Floatcam.jpg</image:loc>
      <image:title>My Gear - MATTHEW’S HD-DC Floatcam</image:title>
      <image:caption>6’ Slider/Jib with motion-control</image:caption>
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  <url>
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      <image:title>SCREEN CREDITS</image:title>
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      <image:title>SCREEN CREDITS</image:title>
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      <image:title>SCREEN CREDITS</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1736197639616-I29KP8NTIGG8IR3HQHKA/Screen+Shot+2025-01-06+at+4.07.08+PM.png</image:loc>
      <image:title>SCREEN CREDITS</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1736197328901-7V9FUSB4E727BVTM9NW3/Screen+Shot+2025-01-06+at+4.01.43+PM.png</image:loc>
      <image:title>SCREEN CREDITS</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1736196824797-U009TKWD7ED9PVTEB8J5/Notzilla_%282019%29_poster.jpg</image:loc>
      <image:title>SCREEN CREDITS</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1736197561054-J1FIAPTGPRP8C6VTID5Q/Screen+Shot+2025-01-06+at+4.05.47+PM.png</image:loc>
      <image:title>SCREEN CREDITS</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1736197387271-3HTRAFRW84WCEGJLPWIH/Screen+Shot+2025-01-06+at+4.02.47+PM.png</image:loc>
      <image:title>SCREEN CREDITS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5663849be4b0d8f0948b9ed4/1736197429489-4T776G8TFS4J359ROJJB/Screen+Shot+2025-01-06+at+4.03.38+PM.png</image:loc>
      <image:title>SCREEN CREDITS</image:title>
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    <image:image>
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      <image:title>SCREEN CREDITS</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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