Shot On Red Time-Lapse Montage


Motion-Control TIME-LAPSE samples

Monument Valley; Moab, Utah; Bozeman, Montana; etc…

Time-lapse shot utilizing my portable motion-control head. This device can be mounted on sticks [as the majority of the samples were shot] or on an 8’ long mo-co programmable track.

I tried to emphasize the motion of the clouds by panning against their travel. Special attention in programming needs to factor in the speed of the actual cloud formations as well as the solar travel of the sun & shadows.

In shooting desert time-lapse, you are often faced with a cloudless scene. You then have to decide do you have the production time to shoot extended periods of time to get actual solar movement of sun & shadows or scrap the day. The sun [usually] moves a heck of a lot slower than clouds, and if the only motion you can capture is traveling shadows, try to factor in where would be the most visually evident section of the environment in which to capture this motion.

Additionally, desert shooting requires long periods of time where the sun bakes your gear. Most motion picture cameras are painted black or dark gray...this gets incredibly hot when blasted by the direct sun for hour upon hour. 35mm film can get ruined in such a super hot environment! I hit the grocery store at these locations and bought a roll of aluminum foil, wrap every exposed surface of the camera & head & battery with it.

At 109 degrees in the desert, I bet the exposed metal of the camera probably got another +30 degrees if not more.

Most of these scenes were shot on Bureau of Land Management land [except for the mountain range pan from Bozeman where we mistakenly ended up on Dennis Quaid’s ranch and were chased by a shotgun wielding ranch-hand!!]. One strange story was when I was shooting way way out in Moab, jeep only accessibly area. It was mid afternoon about 106 in the shade and I had the camera programmed to shoot 1 frame every 27 seconds for a duration of 5 or 6 hours. I snoozed in my rented jeep when suddenly I hear a load motor and look up to see a huge full size RV pulling up in front of my camera! Some dude jumps out and stands right in front of the camera trying to see what it was shooting. “Click” goes the camera! It was a non-English speaking German tourist who had rented this RV and somehow managed to get it way way out in the desert!

Needless to say, with a motion-controlled pan shot [even time-lapse] you cannot remove that one frame and get a smooth move. Ruined!!

BTW, everything was shot with my Arriflex 35-3 with a Norris Intervalometer and a capping shutter. NEVER let anyone tell you that you cannot shoot time-lapse with a 35-3…this is proof!